Polity Atlas
DisputedSource attached · not independently reviewedCLM-0408 · as of 2026-10-27 · about: Siena under the Nine (1287–1355) · Author: Polity Atlas editorial team

“Lorenzetti's frescoes of good and bad government in the Palazzo Pubblico express an Aristotelian and Thomist conception of the common good.”

Context. Rubinstein's 1958 reading was the standard interpretation; Skinner argues the frescoes draw on pre-humanist, Ciceronian ideas of civic virtue.

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